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Sandra Blow @ The Exchange

Swimmer , 1987, acrylic on canvas, 274.4x365.8 cm. From the press release: By the 1950s Sandra Blow was one of the pioneering abstract painters who introduced a new expressive informality to British art. Later, in response to the optimistic climate of the late 1960s, her palette lightened, and, for most of the rest of her career, easily manipulated collage materials such as torn paper or brightly coloured canvas cut-outs featured in her often large-scale pictures. The Matisse-inspired decorative manner of her middle and late periods was a seamless collaboration between the constructed and the freely painted. The exhibition at The Exchange will feature at least nine of her large-scale works from the latter 1980s onwards. These paintings are extraordinarily ambitious in scale, even in comparison to works by her contemporaries such as Roger Hilton and Terry Frost, and reflect a confident mastery of the materials she used.  Many of the works combine painti...

Modern British Painting And Sculpture @ Hillsboro Fine Art

Sandra Blow, Eclipse , acrylic on canvas, 122 x 122 cm. (Image courtesy of Hillsboro Fine Art) Modern British Painting and Sculpture With work by Gillian Ayres, Terry Frost, Anthony Caro, John Hoyland, Sandra Blow and others. Opening: January 17th, 6 - 8 PM January 17 - February 16, 2013 Hillsboro Fine Art 49 Parnell Square West  Dublin 1, Ireland Gallery Hours of Business Monday - Friday: 10.30am-6.00pm Saturday: 10.30am-4.00pm

Sandra Blow: 1925 - 2006

Exerpt from Sandra Blows obituary in the Guardian, by Michael McNay: Blow was born in London, where her father was a fruit wholesaler at Spitalfields market. As a child she often visited her grandparents' farm, where she loved to paint the Kentish orchards, and at the age of 15 her family realised that art was her thing. So she went to St Martin's and - her own description - discovered paradise. "My father didn't know anything about art," she said later, "but made sure I had a roof over my head and food, so I was free to work." In truth, it was work and play. "I can't believe how insouciant we all were," she said. During the war years she would meet other painters like Lucian Freud and John Minton at the Mandrake or the Gargoyle club, or at the Colony Club in Soho, a favourite watering hole of Francis Bacon and the subject of a famous painting by Michael Andrews. "Lucian once took me to the top of a bombed church...