Structure and Imagery

Werner Büttner at Marlborough Gallery April 2 - May 2, 2019 Josh Smith at David Zwirner  April 25 - July 19, 2019 Diana Copperwhite at 532 Gallery Thomas Jaeckel April 30 - June 1, 2019 Frank Wimberley at Berry Campbell Gallery May 30 - July 3, 2019 André Butzer at Metro Pictures June 4 - August 9, 2019 Joan Mitchell at David Zwirner May 3 - July 12, 2019 Prunella Clough at PPOW Gallery May 31 - June 29, 2019

Diana Copperwhite Curated by   Chris Clarke   and   Fiona Kearney   in association with IPIC, the Irish Photonic Integration Centre at the Tyndall Institute, UCC. From the powerful LED statements of Jenny Holzer to the nuanced exploration of the spectrum in paintings by Mark Joyce, PRISM presents artworks where light is both material and subject. PRISM will provide audiences with a fascinating insight into the ways in which light is both visible and invisible in our everyday lives, and how it informs our understanding of ourselves and our communications with others.  Featuring work by: Polly Apfelbaum, David Batchelor, Alan Butler, James Clar, Diana Copperwhite, Jenny Holzer, Mark Joyce, Brigitte Kowanz, Dennis McNulty, Emer O’Boyle and Grace Weir December 1, 2018 - March 10, 2019 The Glucksman University College Cork Ireland T12 V1WH

A beautiful day at the National Gallery of Ireland, Dublin. (Photo: Paul Behnke) Just a brief post to introduce some of the incredible artists I met up with on my recent trip to Dublin. It was my first time meeting a couple of the painters in person but luckily I have been a fan of all their work for quite sometime. Such a pleasure to meet up and share a pint with them all! Damien Flood Damien Flood, Second Life, 2017, oil on canvas, 150 x 125 cm Damien Flood, Dimensions Variable (Boudoir), 2017, oil on linen, 140 x 180 cm Damien Flood, Combust, 2017, oil on canvas, 150 x 125 cm Eileen Kenny Eileen Kenny, Keep Calm and Banish Depression, 2015, mixed media on panel Eileen Kenny, Beautiful, 2015, mixed media on panel Eileen Kenny, American Horror Story All Tied Up, 2015, mixed media on panel Diana Copperwhite Diana Copperwhite, Monumento, 2017, oil on canvas, 20 x 24 in Diana Copperwhite, Confucius Confused, 2016, oi...

Loose Ends , 2013, oil on canvas, 72x92in. Painters, Karen Baumeister and James Erikson take in the exhibit, Loose Ends, on view until October 19th. “Whose afraid of Red, Yellow and Blue” asked Barnett Newman in the sixties amid the era’s monikers of post-painterly abstraction and colour field painting.  His answer, and indeed the answers of his compatriots at the time, seem to us now as stately as they are staid.   They sit comfortably into the art historical narrative -the progressive imperative of Modernism.  The paintings of Diana Copperwhite deliver us back into the maelstrom of colour resurrecting the fear that such charged tints and hues can conjure. Copperwhite’s colours misbehave, taunting and mocking our narrow appreciation of their emotional potential." -Patrick T. Murphy, Director of Royal Hibernian Academy Dublin. Former Director of the Institute of Contemporary Art, at the University of Pennsylvania. Vortex , 2...