Working Knowledge @ Lorimoto
Robert Otto Epstein
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Studio Visit with Jeff Frederick
Jeff Frederick was born in Concord, New Hampshire and currently lives and works in New York, City.
He received a BA from Vassar and an MFA from Brooklyn College (CUNY) in 2010.
Frederick's Handheld Paintings can currently be seen in the group exhibition Back In Situ, Or Turns at Centotto in Brooklyn and he recently had work on view in this year's NurtureArt benefit, at Life on Mars' Summer Invitational, and at Storefront Ten Eyck's Arts in Bushwick BOS Benefit exhibition.
For more information and to view more paintings and a video of Frederick's working process follow the link to his site here.
Hand held paintings
Detail
Detail
He received a BA from Vassar and an MFA from Brooklyn College (CUNY) in 2010.
Frederick's Handheld Paintings can currently be seen in the group exhibition Back In Situ, Or Turns at Centotto in Brooklyn and he recently had work on view in this year's NurtureArt benefit, at Life on Mars' Summer Invitational, and at Storefront Ten Eyck's Arts in Bushwick BOS Benefit exhibition.
For more information and to view more paintings and a video of Frederick's working process follow the link to his site here.
Hand held paintings
Detail
Detail
Larry Poons: On Light and Ambition
Larry Poons talks about light and ambition in this short clip.
Thanks to Matthew Neil Gehring for sending this my way.
Thanks to Matthew Neil Gehring for sending this my way.
Deanna Lee @ Robert Henry Contemporary
Deanna Lee, AWGP:ggrck, 2014, gouache and acrylic on wood, 20 x 24 inches
Deanna Lee: Echo LineationDecember 12 through January 25, 2015Robert Henry Contemporary
Deanna Lee: Echo LineationDecember 12 through January 25, 2015Robert Henry Contemporary
Joanne Greenbaum @ Galerie Crone
Joanne Greenbaum
Galerie Crone
Frank Wisdom: An Interview with Joanne Greenbaum by Nadja Sayej for ArtSlant
Image © Joanne Greenbaum
Galerie Crone
Frank Wisdom: An Interview with Joanne Greenbaum by Nadja Sayej for ArtSlant
Image © Joanne Greenbaum
Debra Ramsay Interviewed on Studio Critical
Debra Ramsay, A Year of Color, Adjusted for Daylength, 2014, acrylic on Dura-Lar, 40 x 60 inches.
Above: Yellow Trail, Fall from the grouping Yellow Trail, Spring, Summer, Fall, Winter, acrylic on museum board, each: 20 x 30 inches.
Debra Ramsay gives insight into her studio practice in an interview with Valerie Brennan for Studio Critical here.
Look for Ramsay's work in a two person show with Alex Paik coming up at TSA in Bushwick; in February of 2015.
Images courtesy of the artist.
Above: Yellow Trail, Fall from the grouping Yellow Trail, Spring, Summer, Fall, Winter, acrylic on museum board, each: 20 x 30 inches.
Debra Ramsay gives insight into her studio practice in an interview with Valerie Brennan for Studio Critical here.
Look for Ramsay's work in a two person show with Alex Paik coming up at TSA in Bushwick; in February of 2015.
Images courtesy of the artist.
Contemporary British Painting @ Saint Marylebone Crypt
Above: Terry Greene
Contemporary British Painting @ St. Marylebone Crypt
Monday 8 Dec 2014 – Thursday 1 Jan 2014 An exhibition of 40 British Painters (organised by Simon Burton) Edwin Aitken | Amanda Ansell |
Claudia Boese | Jon Braley | Julian Brown | Simon Burton | Andrew Crane | Pen Dalton | Lisa Denyer |
Annabel Dover | Nathan Eastwood | Wendy Elia | Christopher Gee |
Chris Gilvan-Cartright | Terry Greene | Susan Gunn | Alex Hanna |
Marguerite Horner | Barbara Howey | SilvieJacobi | Kelly Jayne | Sue Kennington | Matthew Krishanu | Bryan Lavelle | Nick Middleton |
Andrew Munoz | Stephen Newton |
Gideon Pain | Barbara Peirson | Alison Pilkington | Robert Priseman
| Freya Purdue | James Quin | Greg Rook | Katherine Russell | David
Sullivan | Judy Tucker | Julie Umerle |
Jacquie Utley | Sean Williams St. Marylebone Crypt
Saint Marylebone Parish Church
17 Marylebone Road
London
NW1
Contemporary British Painting @ St. Marylebone Crypt
Monday 8 Dec 2014 – Thursday 1 Jan 2014 An exhibition of 40 British Painters (organised by Simon Burton) Edwin Aitken | Amanda Ansell |
Claudia Boese | Jon Braley | Julian Brown | Simon Burton | Andrew Crane | Pen Dalton | Lisa Denyer |
Annabel Dover | Nathan Eastwood | Wendy Elia | Christopher Gee |
Chris Gilvan-Cartright | Terry Greene | Susan Gunn | Alex Hanna |
Marguerite Horner | Barbara Howey | SilvieJacobi | Kelly Jayne | Sue Kennington | Matthew Krishanu | Bryan Lavelle | Nick Middleton |
Andrew Munoz | Stephen Newton |
Gideon Pain | Barbara Peirson | Alison Pilkington | Robert Priseman
| Freya Purdue | James Quin | Greg Rook | Katherine Russell | David
Sullivan | Judy Tucker | Julie Umerle |
Jacquie Utley | Sean Williams St. Marylebone Crypt
Saint Marylebone Parish Church
17 Marylebone Road
London
NW1
Back to the Future, Part 1 and Light Box @ Life on Mars
Yevgeniya Baras, Untitled 1, 2013, oil on canvas, 20 x 16 inches
Back to the Future, Part 1 and in the Project Room: Light Box Opening December 12, 6 - 9 pm December 12 - January 11 Life on Mars Gallery 56 Bogart Street Brooklyn, NY 11026
Back to the Future, Part 1 and in the Project Room: Light Box Opening December 12, 6 - 9 pm December 12 - January 11 Life on Mars Gallery 56 Bogart Street Brooklyn, NY 11026
Willard Boepple @ Lori Bookstein
Willard Boepple, Inside Out, 2014, aluminum, 84 x 43 x 23 1/2 inches
From the press release:
This exhibition will be comprised of recent sculptures from the “Trestles” series. Karen Wilkin writes of the work:
Boepple approaches architectural scale in these shambling, animated constructions, which at once evoke industrial artifacts and creatures able to move under their own power. The delimiting frameworks of the “Looms” and “Trestles” and the instantly recognizable supports of the “Ladders,” have here been subsumed by loose-jointed assemblies of linear elements that seem potentially mobile. At the same time, we are aware of the industrial underpinnings of these exuberant sculptures, faint echoes of utilitarian objects constructed with iron beams that return us to the origins of Boepple’s approach to sculpture, when Picasso and González, for the first time, made works of art using the same techniques that were used to build motorcars and tall buildings. [1]
This exhibition will coincide w…
From the press release:
This exhibition will be comprised of recent sculptures from the “Trestles” series. Karen Wilkin writes of the work:
Boepple approaches architectural scale in these shambling, animated constructions, which at once evoke industrial artifacts and creatures able to move under their own power. The delimiting frameworks of the “Looms” and “Trestles” and the instantly recognizable supports of the “Ladders,” have here been subsumed by loose-jointed assemblies of linear elements that seem potentially mobile. At the same time, we are aware of the industrial underpinnings of these exuberant sculptures, faint echoes of utilitarian objects constructed with iron beams that return us to the origins of Boepple’s approach to sculpture, when Picasso and González, for the first time, made works of art using the same techniques that were used to build motorcars and tall buildings. [1]
This exhibition will coincide w…
Seen in Chelsea: December 6 - 11
Martin Puryear
Matthew Marks Gallery
Martin Puryear, Big Phrygian, 2010-2014, painted red cedar, 58x40x76 inches
Martin Puryear, Up and Over, 2014, cast ductile iron, 18 5/8x26 1/2x12 3/4 inches
Martin Puryear, Faux Vitrine (detail), 2014, mirror polished stainless steel, curly maple, black walnut, marine plywood, japan color, 73 1/4 x 46 1/2 x 40 3/4 inches
Images courtesy of Matthew Marks Gallery
Robert Motherwell: Works on Paper 1951 - 1991 Paul Kasmin Gallery
Robert Motherwell, Black Asterisk, 1951, 28 1/2 x 22 1/2 inches
Robert Motherwell, I.H. Series No. 5, 1970, 22 1/4 x 17 inches
Robert Motherwell, Untitled (Grand Vin on Red), 1973, 37 7/8 x 20 inches
Robert Motherwell, Midday Sun, 1985, 28 3/4 x 22 3/4 inches
Images courtesy of Paul Kasmin Gallery
Louise Bourgeois: Suspension Cheim & Read
Louise Bourgeois, installation view
Louise Bourgeois, installation view
Louise Bourgeois, installation view
Matthew Marks Gallery
Martin Puryear, Big Phrygian, 2010-2014, painted red cedar, 58x40x76 inches
Martin Puryear, Up and Over, 2014, cast ductile iron, 18 5/8x26 1/2x12 3/4 inches
Martin Puryear, Faux Vitrine (detail), 2014, mirror polished stainless steel, curly maple, black walnut, marine plywood, japan color, 73 1/4 x 46 1/2 x 40 3/4 inches
Images courtesy of Matthew Marks Gallery
Robert Motherwell: Works on Paper 1951 - 1991 Paul Kasmin Gallery
Robert Motherwell, Black Asterisk, 1951, 28 1/2 x 22 1/2 inches
Robert Motherwell, I.H. Series No. 5, 1970, 22 1/4 x 17 inches
Robert Motherwell, Untitled (Grand Vin on Red), 1973, 37 7/8 x 20 inches
Robert Motherwell, Midday Sun, 1985, 28 3/4 x 22 3/4 inches
Images courtesy of Paul Kasmin Gallery
Louise Bourgeois: Suspension Cheim & Read
Louise Bourgeois, installation view
Louise Bourgeois, installation view
Louise Bourgeois, installation view