Robert Otto Epstein
Wednesday, December 31, 2014
Wednesday, December 24, 2014
Studio Visit with Jeff Frederick
Jeff Frederick was born in Concord, New Hampshire and currently lives and works in New York, City.
He received a BA from Vassar and an MFA from Brooklyn College (CUNY) in 2010.
Frederick's Handheld Paintings can currently be seen in the group exhibition Back In Situ, Or Turns at Centotto in Brooklyn and he recently had work on view in this year's NurtureArt benefit, at Life on Mars' Summer Invitational, and at Storefront Ten Eyck's Arts in Bushwick BOS Benefit exhibition.
For more information and to view more paintings and a video of Frederick's working process follow the link to his site here.
Hand held paintings
Detail
Detail
Hand held paintings
Hand held paintings
Jeff Frederick in his studio in the Bushwick neighborhood of Brooklyn, 2014
Friday, December 19, 2014
Larry Poons: On Light and Ambition
Larry Poons talks about light and ambition in this short clip.
Thanks to Matthew Neil Gehring for sending this my way.
Wednesday, December 17, 2014
Deanna Lee @ Robert Henry Contemporary
Deanna Lee, AWGP:ggrck, 2014, gouache and acrylic on wood, 20 x 24 inches
Deanna Lee: Echo Lineation
December 12 through January 25, 2015
Joanne Greenbaum @ Galerie Crone
Joanne Greenbaum
Galerie Crone
Frank Wisdom: An Interview with Joanne Greenbaum by Nadja Sayej for ArtSlant
Image © Joanne Greenbaum
Tuesday, December 16, 2014
Debra Ramsay Interviewed on Studio Critical
Debra Ramsay, A Year of Color, Adjusted for Daylength, 2014, acrylic on Dura-Lar, 40 x 60 inches.
Above: Yellow Trail, Fall from the grouping Yellow Trail, Spring, Summer, Fall, Winter, acrylic on museum board, each: 20 x 30 inches.
Debra Ramsay gives insight into her studio practice in an interview with Valerie Brennan for Studio Critical here.
Look for Ramsay's work in a two person show with Alex Paik coming up at TSA in Bushwick; in February of 2015.
Images courtesy of the artist.
Contemporary British Painting @ Saint Marylebone Crypt
Above: Terry Greene
Contemporary British Painting @ St. Marylebone Crypt
Monday 8 Dec 2014 – Thursday 1 Jan 2014
Monday 8 Dec 2014 – Thursday 1 Jan 2014
An exhibition of 40 British Painters (organised by Simon Burton)
Edwin Aitken | Amanda Ansell |
Claudia Boese | Jon Braley | Julian Brown | Simon Burton | Andrew Crane | Pen Dalton | Lisa Denyer |
Annabel Dover | Nathan Eastwood | Wendy Elia | Christopher Gee |
Chris Gilvan-Cartright | Terry Greene | Susan Gunn | Alex Hanna |
Marguerite Horner | Barbara Howey | SilvieJacobi | Kelly Jayne | Sue Kennington | Matthew Krishanu | Bryan Lavelle | Nick Middleton |
Andrew Munoz | Stephen Newton |
Gideon Pain | Barbara Peirson | Alison Pilkington | Robert Priseman
| Freya Purdue | James Quin | Greg Rook | Katherine Russell | David
Sullivan | Judy Tucker | Julie Umerle |
Jacquie Utley | Sean Williams
Claudia Boese | Jon Braley | Julian Brown | Simon Burton | Andrew Crane | Pen Dalton | Lisa Denyer |
Annabel Dover | Nathan Eastwood | Wendy Elia | Christopher Gee |
Chris Gilvan-Cartright | Terry Greene | Susan Gunn | Alex Hanna |
Marguerite Horner | Barbara Howey | SilvieJacobi | Kelly Jayne | Sue Kennington | Matthew Krishanu | Bryan Lavelle | Nick Middleton |
Andrew Munoz | Stephen Newton |
Gideon Pain | Barbara Peirson | Alison Pilkington | Robert Priseman
| Freya Purdue | James Quin | Greg Rook | Katherine Russell | David
Sullivan | Judy Tucker | Julie Umerle |
Jacquie Utley | Sean Williams
St. Marylebone Crypt
Saint Marylebone Parish Church
17 Marylebone Road
London
NW1
Saint Marylebone Parish Church
17 Marylebone Road
London
NW1
Friday, December 12, 2014
Back to the Future, Part 1 and Light Box @ Life on Mars
Yevgeniya Baras, Untitled 1, 2013, oil on canvas, 20 x 16 inches
Back to the Future, Part 1
and in the Project Room: Light Box
Opening December 12, 6 - 9 pm
December 12 - January 11
56 Bogart Street
Brooklyn, NY 11026
Willard Boepple @ Lori Bookstein
Willard Boepple, Inside Out, 2014, aluminum, 84 x 43 x 23 1/2 inches
From the press release:
This exhibition will be comprised of recent sculptures from the “Trestles” series. Karen Wilkin writes of the work:
Boepple approaches architectural scale in these shambling, animated constructions, which at once evoke industrial artifacts and creatures able to move under their own power. The delimiting frameworks of the “Looms” and “Trestles” and the instantly recognizable supports of the “Ladders,” have here been subsumed by loose-jointed assemblies of linear elements that seem potentially mobile. At the same time, we are aware of the industrial underpinnings of these exuberant sculptures, faint echoes of utilitarian objects constructed with iron beams that return us to the origins of Boepple’s approach to sculpture, when Picasso and González, for the first time, made works of art using the same techniques that were used to build motorcars and tall buildings. [1]
This exhibition will coincide with the release of a new monograph of the artist published by Lund Humphries. Willard Boepple Sculpture: The Sense of Things is written by Karen Wilkin with a forward by Michael Fried. The publication will be available for purchase from the gallery.
Willard Boepple was born in Bennington, Vermont in 1945, and grew up in Berkeley, California. He studied at the Skowhegan School of Painting and Sculpture (1963), the University of California at Berkeley (1963-64), RISD (1967) and CUNY City College (1968). After teaching at Bennington College and the School of the Museum of Fine Arts in Boston, he returned to New York, where he has lived for over thirty years. He has exhibited widely here and abroad, at galleries including Acquavella, André Emmerich, Tricia Collins and Broadbent Gallery, London. His work belongs to such noted institutions as the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Storm King Art Center and The Fitz William Museum in Cambridge, UK. Boepple served as chairman of the Triangle Artists' Workshop for twenty years, an artist residency program which he helped replicate in Africa and the Caribbean.
This exhibition will coincide with the release of a new monograph of the artist published by Lund Humphries. Willard Boepple Sculpture: The Sense of Things is written by Karen Wilkin with a forward by Michael Fried. The publication will be available for purchase from the gallery.
Willard Boepple was born in Bennington, Vermont in 1945, and grew up in Berkeley, California. He studied at the Skowhegan School of Painting and Sculpture (1963), the University of California at Berkeley (1963-64), RISD (1967) and CUNY City College (1968). After teaching at Bennington College and the School of the Museum of Fine Arts in Boston, he returned to New York, where he has lived for over thirty years. He has exhibited widely here and abroad, at galleries including Acquavella, André Emmerich, Tricia Collins and Broadbent Gallery, London. His work belongs to such noted institutions as the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Storm King Art Center and The Fitz William Museum in Cambridge, UK. Boepple served as chairman of the Triangle Artists' Workshop for twenty years, an artist residency program which he helped replicate in Africa and the Caribbean.
[1] Wilkin, Karen. “Openness and Transparency: Ladders and Looms, Towers and Trestles,” Willard Boepple Sculpture: The Sense of Things. Farnham, Surrey, United Kingdom: Lund Humpries, 2014. p. 69.
Image courtesy of Lori Bookstein Fine Art
Willard Boepple: Sculpture
through December 20
Lori Bookstein Fine Art
138 10th Avenue
New York, NY 10011
Thursday, December 11, 2014
Seen in Chelsea: December 6 - 11
Martin Puryear
Matthew Marks Gallery
Martin Puryear, Big Phrygian, 2010-2014, painted red cedar, 58x40x76 inches
Martin Puryear, Up and Over, 2014, cast ductile iron, 18 5/8x26 1/2x12 3/4 inches
Martin Puryear, Faux Vitrine (detail), 2014, mirror polished stainless steel, curly maple, black walnut, marine plywood, japan color, 73 1/4 x 46 1/2 x 40 3/4 inches
Images courtesy of Matthew Marks Gallery
Robert Motherwell: Works on Paper 1951 - 1991
Paul Kasmin Gallery
Robert Motherwell, Black Asterisk, 1951, 28 1/2 x 22 1/2 inches
Robert Motherwell, I.H. Series No. 5, 1970, 22 1/4 x 17 inches
Robert Motherwell, Untitled (Grand Vin on Red), 1973, 37 7/8 x 20 inches
Robert Motherwell, Midday Sun, 1985, 28 3/4 x 22 3/4 inches
Images courtesy of Paul Kasmin Gallery
Louise Bourgeois: Suspension
Cheim & Read
Louise Bourgeois, installation view
Louise Bourgeois, installation view
Louise Bourgeois, installation view
Images courtesy of Cheim & Read
Paul Jenkins
Robert Miller Gallery
Paul Jenkins, Phenomena Windward Side, 1976, acrylic on canvas, 77 x 75 inches
Paul Jenkins, Phenomena Prisms from Rhodes, 1984, acrylic on canvas, 77 x 58 inches
Paul Jenkins, Phenomena Tibetan Light Shadows, 1997, acrylic on canvas, 77 x 96 inches
Images courtesy of Robert Miller Gallery
Frank Stella Sculpture
Marianne Boesky Gallery
Frank Stella, K. 150, 2014, ABS, 96 x 66 x 75 inches
Frank Stella, Puffed Star II, 2014, polished aluminum, 224 1/4 x 224 1/2 x 224 1/2 inches
Frank Stella, Sanibel to Sobolnoye, 2014, foam, fiber glass, and stainless steel, 117 x 85 x 48 inches
Images courtesy of Marianne Boesky Gallery
12 Painters: The Studio School, 1974 / 2014
Steven Kasher Gallery
Andrea Belag, Soothsayer, 2014, oil on linen, 60 x 70 inches
Robert Bordo, Visiting Artist, 2014, oil on canvas on fiberboard, 32 x 40 inches
Nicholas Carone, Untitled, ca. 1952, oil on canvas, 45 x 64 inches
Joyce Pensato, Silver Clown II, 2013, oil and metallic paint on linen, 90 x 80 inches
George McNeil, Dancer #12, 1970, oil on linen, 60 x 56 inches
Images courtesy of Steven Kasher Gallery
Picasso and Jacqueline: The Evolution of Style
Pace Gallery
Pablo Picasso, Woman in Armchair (Jacqueline), 1962, oil on canvas, 63 3/4 x 51 inches
Picasso & Jacqueline: The Evolution of Style, installation view
Pablo Picasso, Jacqueline with Black Scarf, 1954, oil on canvas, 36 1/4 x 28 3/4 inches
Images courtesy of Pace Gallery
Picasso and the Camera, curated by John Richardson
Gagosian Gallery
Pablo Picasso © David Douglas Duncan, Harry Ransom Humanities Research Center, The University of Austin
Pablo Picasso, Autoportrait avec Portrait d'homme
© 2014 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
(Left to right) La grande statue (1930), Buste de femme (Marie-Thérèse) (1931), and Tête de femme (Marie-Thérèse) (1931) in Picasso' sculpture studio, Château de Boisgeloup, France, 1931
Archives Olga Ruiz-Picasso
© 2014 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
© 2014 Estate of Pablo Picasso/Artists Rights Society (ARS), New York
Picasso and the Camera, installation view
Images courtesy of Gagosian Gallery
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