Structure and Imagery

Brian Edmonds, A Little Rage is Good , 2015 A group exhibition curated by Betty Carroll Fuller and Susan Carr featuring work by:  Andre van der Wende, Anne Flash, Ayn S. Choi, Bailey Bob Bailey, Bernard Klevickas, Bert Yarborough, Betty Carroll Fuller, Bonny Leibowitz, Breon Dunigan, Brian Edmonds, Carole Ann Danner, Colleen Deery, Damien Hoar de Galvan, Dennis Masback, Elizabeth Gourlay, Ellen Rich, Emily Auchincloss, Eric Hibit, Farrell Brickhouse, Frankie Gardiner, Gerry McLean, Helen O’Leary, Irene Lipton, James Austin Murray, James Balla, Jan Lhormer, Jody Morlock, Joe Diggs, Judy Rifka, Julie Torres, Katherine Bradford, Liza Bingham, Maddy Rosenberg, Mark Milroy, Michael Ballou, Michael Ricardo Andreev, Noe Jimenez, Ola Manana, Pam Glick, Paul Bowen, Peter Reginato, Peter Williams, Polly Schindler, Robert Henry, Sue Post, Susan Breen, Susan Carr, Susan Lyman, Susan Rostow, Valerie Brennan, Vicky Tomayko, Wendy Klemperer and Zehra Khan. On view through January ...

Matthew Wong, Untitled , 2015, ink and watercolor on paper, 16 x 20 in. Also of interest: http://matthewhk.net/index.php http://structureandimagery.blogspot.com/2013/11/artist-profile-matthew-wong.html http://structureandimagery.blogspot.com/2015/10/matthew-wong-hong-kong-visual-arts.html

  Patrick Procktor photographed in 1968. © The Redfern Gallery, London. Patrick Procktor: The Last Romantic Curated by Dr. Ian Massey January 14 - February 25, 2016 The Gallery, Arts University Bournemouth info From the Press Release The artist Patrick Procktor RA (1936-2003) first came to prominence in 1963, when his first show opened at  The Redfern Gallery  in London. Both critically acclaimed and a near sell-out, the show launched him as a star of the Sixties art scene: remarkable given that he had graduated from the Slade School of Fine Art less than a year before. With his friends David Hockney, Ossie Clark and Celia Birtwell, Procktor became part of a bohemian circle, one that reinvented modernity, seizing glamour as a liberating force at a time when, in cultural commentator Peter York’s phrase, ‘Style became a weapon to forge your own legend.’ Renowned for his camp theatricality and rapier wit, the charismatic Procktor formed many fri...

Sabhal Mòr Ostaig info Get The Sound of Sleat: A Painter's Life here

Vincent Como,  Trismegistus , 2012, oil on canvas over board (in three parts), 49.375 x 49.625 inches overall. (Courtesy of Minus Space) The Violent Study Club: In Conversation with the Artists Please join us for an informal conversation with the artists from our current exhibit, The Violent Study Club . Participating artists Vincent Como, Jonathan Cowan and Debra Ramsay will discuss and answer questions about the concepts underpinning their work and studio practices. Saturday, December 19, 2p info Stout Projects From the Press Release: Earlier this year a group of artists began to meet and discuss books, essays and interviews that relate to and explore the ideas of spiritualism and the mystic as they influenced Modern and Contemporary artists and the works they made. Soon it became apparent that four members of this group (The Violent Study Club) produced work that not only explored the afore mentioned themes to varying degrees but also shared...

Paul Edwards Cops December 12th - February 6th Opening reception Saturday December 12th 6-8pm Participating artists: Marlous Borm, David Deutsch, Paul Edwards, Leo Fitzpatrick, Kevin Ford, Stephen Lack, Lester Merriweather, Scott Reeder, Walter Robinson, Tom of Finland and Ernest Withers. Tops info

Born: December 8, 1922 in Berlin, Germany All photographs: Lucian Freud, ca:1945 by Francis Goodman

Vision: Angel with Third Eye , 2015, acrylic on panel, 10 x 8 in. Son of the Morning , 2015, acrylic on panel, 7 x 5 in. O Day Star! , 2015, acrylic on panel, 7 x 5 in. Vision 2: Green Angel , 2015, acrylic on panel, 10 x 8 in. Eye of Agamotto , 2015, acrylic on panel, 7 x 5 in. Einhorn , 2015, acrylic on panel, 7 x 5 in. All paintings © Paul Behnke

Käthe Kollwitz,  Tod and Frau (Death Seizing a Woman) , 1910, 17 1/2 x 17 in. Etching on paper. Pomona College Collection. Gift of the Culley Collection Violent Storm   by Mark Strand Those who have chosen to pass the night Entertaining friends And intimate ideas in the bright, Commodious rooms of dreams Will not feel the slightest tremor Or be wakened by what seems Only a quirk in the dry run Of conventional weather. For them, The long night sweeping over these trees And houses will have been no more than one In a series whose end Only the nervous or morbid consider. But for us, the wide-awake, who tend To believe the worst is always waiting Around the next corner or hiding in the dry, Unsteady branch of a sick tree, debating Whether or not to fell the passerby, It has a sinister air. How we wish we were sunning ourselves In a world of familiar views And fixed conditions, confined By what we know, and able to refuse Entry to the unaccounted for. For now, Deep...

Melissa Staiger, Built to Spin , 2015, mixed media on panel, 20 x 16 inches. Melissa Staiger: Push with the Tide curated by Katerina Lanfranco Opening Reception: Sunday December 6, 6 - 9 p Trestle Gallery info

Clockwise: 17th century icon, artist unknown, Will Corwin, Justin Orvis Steimer, Gail Stoicheff, Elizabeth Kley (wallpainting) Rachel Monosov. Clockwise: Roxy Paine, Rachel Monosov, Carin Riley, Rico Gatson, Elizabeth Kley (lanterns), Joyce Pensato (Elmos in back), Serra Victoria Bothwell Fels (Rood screen), Rico Gatson (throne), Mike Ballou (rug) Clockwise: Rico Gaston, Elizabeth Kley (wallpainting and Lantern) Carin Riley, Rachel Monosov, Justin Orvis Steimer, Roxy Paine, Paul Anthony Smith, Kati Preti. All photos courtesy David Riley Devotion   co-curated by William Corwin featuring work by:    Mike Ballou, Joe Brittain, William Corwin, Serra Victoria Bothwell Fels, Elizabeth Ferry, Rico Gatson, Elisabeth Kley, Rachel Monosov, Roxy Paine, Joyce Pensato, Katie Bond Pretti, Carin Riley, Paul Anthony Smith, Justin Orvis Steimer, Gail Stoicheff and Sophia Wallace Through January 17, 2015 ...

Rose Wylie Contemporary British Drawing featuring work by Karl Bielik, Lucian Freud, David Hockney, Rose Wylie and others. Xi'an Academy of Fine Arts info Karl Bielik

Richard Gorman, Untitled , 2015, oil on linen. Ph. Salvatore Licitra Richard Gorman: KAN Assab One info

Installation view with work by Nathaniel Lieb, Jack Henry and David Henderson. Photo by George Gilliand Chronicles in Wait curated by Paul D'Agostino A Centotto interstizio exhibit at the Buggy Factory * Histories concealed within forms. Discoverable in sutures, molds, cavities. Tales in hems,nooks and holes. In shadows of themselves. Waiting to be told. And heard. * Includes sculptures and sound pieces by David Henderson, Jack Henry, Oliver Jones and Nathaniel Lieb. Last day to view: Today, Sunday, November 22, 4 - 8 p Please check the link below for information on a closing reception to be announced. info View a short instagram video of the installation here .

William Perehudoff, AC-81-039 , 1981, acrylic on canvas, 53 1/3 x 53 in. Image courtesy of Berry Campbell and the William Perehudoff Estate William Perehudoff: A Retrospective On view through November 21, 2015 Berry Campbell  info

Levine at work on her exhibit, Wall Drawings , at the Hionas Gallery on the Lower East Side, November 2015. Photo courtesy of Hionas Gallery. Jill Levine:  Wall Drawings On view through December 6, 2015 Hionas Gallery info

Georges Rouault, Paris, 1957 by Arnold Newman "For me, painting is a way to forget life. It is a cry in the night, a strangled laugh." "Nothing is old, nothing is new, save the light of grace underneath which beats a human heart.  The way of feeling, of understanding, of loving; the way of seeing the country, the faces that your father saw, that your mother knew. The rest is chimerical." Georges Rouault's Miserere The series of prints known as the  Miserere  by Georges Rouault (1871-1958) was commissioned originally as one of numerous, illustrated book projects conceived by the Parisian dealer Ambrose Vollard (1865-1939), who after 1916 functioned as the artist's sole agent and employer. To be titled  Miserere et Guerre  the proposed two volumes, each with fifty prints by Rouault and text by his friend, the poet Andre Suares (1866-1948), were never completed as planned. Suares, who contended tha...

Debra Ramsay ,  The effects of a fold on a line, graphite.  8 inch square, Kozo paper, graphite, 2013 Volume 2: Black and White Co-curated by Mary Judge and Enrico Gomez With work by:  David Ambrose, Etamar Beglikter, Jerry Birchfield, Astrid Bowlby, Amélie de Beauffort, Lorrie Fredette, Liz Jaff, Christopher Michlig, Gelah Penn, Debra Ramsay, Lauren Seiden, Matthew Shelley, Barbara Siegel, Renee van der Stelt, Allan Wexler and Etty Yaniv This exhibit is one bookend of a two-part exhibition exploring the ways in which artists respond to paper and transform it from the 2 dimensional into the 3 dimensional in innovative and engaging ways. Through December 6th, 2015 Schema Projects info

William Douglas McGee, Stary Night , 1986, oil on paper and collage. William Douglas McGee, Stary Night (detail) William Douglas McGee, Stary Night (verso) William Douglas McGee, Origin , 1991, oil on panel.   William Douglas McGee, Origin (detail) William Douglas McGee, Origin (verso)  William Douglas McGee, Vessel , 1989, oil on canvas. William Douglas McGee,  Vessel (detail) William Douglas McGee,  Vessel (verso) The Artist: William Douglas McGee  info Genesis Breyer P-Orridge, Untitled , 2002, Polaroid. The Artist: Genesis Breyer P-Orridge info