Structure and Imagery

  Red Point (Form for Brancusi) , 1991, oil on linen, 21 1/4 x 16 in. Betty Cuningham Gallery, New York Follow the link to read Elisa Jensen's tribute to Berthot on artcritical . Find Jennifer Samet's interview with Berthot here: Beer with a Painter:Jake Berthot. Jake Berthot by Arthur Mones , 1990, Gelatin silver photograph,  10 7/16 x 13 1/2 in. Brooklyn Museum,  © Estate of Arthur Mones Skull, 2012, oil on linen , 27 1/8   x 21 1/8 Betty Cuningham Gallery, New York

Robert Otto Epstein

Jeff Frederick was born in Concord, New Hampshire and currently lives and works in New York, City. He received a BA from Vassar and an MFA from Brooklyn College (CUNY) in 2010. Frederick's Handheld Paintings can currently be seen in the group exhibition  Back In Situ, Or Turns at Centotto in Brooklyn  and he recently had work on view in this year's NurtureArt benefit, at Life on Mars ' Summer Invitational, and at Storefront Ten Eyck 's Arts in Bushwick BOS Benefit exhibition. For more information and to view more paintings and a video of Frederick's working process follow the link to his site here .   Hand held paintings   Detail   Detail  Hand held paintings   Hand held paintings Jeff Frederick in his studio in the Bushwick neighborhood of Brooklyn, 2014

Larry Poons talks about light and ambition in this short clip .  Thanks to  Matthew Neil Gehring  for sending this my way.

Deanna Lee, AWGP:ggrck , 2014, gouache and acrylic on wood, 20 x 24 inches Deanna Lee: Echo Lineation December 12 through January 25, 2015 Robert Henry Contemporary

Joanne Greenbaum Galerie Crone Frank Wisdom: An Interview with Joanne Greenbaum by Nadja Sayej for ArtSlant Image © Joanne Greenbaum

Debra Ramsay, A Year of Color, Adjusted for Daylength , 2014, acrylic on Dura-Lar, 40 x 60 inches. Above: Yellow Trail, Fall from the grouping Yellow Trail, Spring, Summer, Fall, Winter , acrylic on museum board, each: 20 x 30 inches. Debra Ramsay gives insight into her studio practice in an interview with Valerie Brennan for Studio Critical here . Look for Ramsay's work in a two person show with Alex Paik coming up at TSA in Bushwick; in February of 2015. Images courtesy of the artist.

Above: Terry Greene Contemporary British Painting @ St. Marylebone Crypt Monday 8 Dec 2014 – Thursday 1 Jan 2014 An exhibition of 40 British Painters (organised by Simon Burton) Edwin Aitken | Amanda Ansell | Claudia Boese | Jon Braley | Julian Brown | Simon Burton | Andrew Crane | Pen Dalton | Lisa Denyer | Annabel Dover | Nathan Eastwood | Wendy Elia | Christopher Gee | Chris Gilvan-Cartright | Terry Greene | Susan Gunn | Alex Hanna | Marguerite Horner | Barbara Howey | SilvieJacobi | Kelly Jayne | Sue Kennington | Matthew Krishanu | Bryan Lavelle | Nick Middleton | Andrew Munoz | Stephen Newton | Gideon Pain | Barbara Peirson | Alison Pilkington | Robert Priseman | Freya Purdue | James Quin | Greg Rook | Katherine Russell | David Sullivan | Judy Tucker | Julie Umerle | Jacquie Utley | Sean Williams St. Marylebone Crypt  Saint Marylebone Parish Church 17 Marylebone Road London NW1

Gray Contemporary Houston, TX

Yevgeniya Baras , Untitled 1 , 2013, oil on canvas, 20 x 16 inches Back to the Future, Part 1 and in the Project Room: Light Box Opening December 12, 6 - 9 pm December 12 - January 11 Life on Mars Gallery 56 Bogart Street Brooklyn, NY 11026

Willard Boepple, Inside Out , 2014, aluminum, 84 x 43 x 23 1/2 inches From the press release: This exhibition will be comprised of recent sculptures from the “Trestles” series. Karen Wilkin writes of the work:  Boepple approaches architectural scale in these shambling, animated constructions, which at once evoke industrial artifacts and creatures able to move under their own power. The delimiting frameworks of the “Looms” and “Trestles” and the instantly recognizable supports of the “Ladders,” have here been subsumed by loose-jointed assemblies of linear elements that seem potentially mobile. At the same time, we are aware of the industrial underpinnings of these exuberant sculptures, faint echoes of utilitarian objects constructed with iron beams that return us to the origins of Boepple’s approach to sculpture, when Picasso and González, for the first time, made works of art using the same techniques that were used to build motorcars and tall buildings. [1] T...

Martin Puryear Matthew Marks Gallery Martin Puryear,  Big Phrygian , 2010-2014, painted red cedar, 58x40x76 inches   Martin Puryear, Up and Over , 2014, cast ductile iron, 18 5/8x26 1/2x12 3/4 inches Martin Puryear, Faux Vitrine (detail), 2014, mirror polished stainless steel, curly maple, black walnut, marine plywood, japan color, 73 1/4 x 46 1/2 x 40 3/4 inches Images courtesy of Matthew Marks Gallery Robert Motherwell: Works on Paper 1951 - 1991 Paul Kasmin Gallery   Robert Motherwell, Black Asterisk , 1951, 28 1/2 x 22 1/2 inches   Robert Motherwell, I.H. Series No. 5 , 1970, 22 1/4 x 17 inches Robert Motherwell, Untitled (Grand Vin on Red), 1973, 37 7/8 x 20 inches Robert Motherwell, Midday Sun , 1985, 28 3/4 x 22 3/4 inches Images courtesy of Paul Kasmin Gallery Louise Bourgeois: Suspension Cheim & Read   Louise Bourgeois, installation view ...