For this installment of my In Process feature, Matthew Fisher offers this meditation on drawings and how they lead up and relate to, a finished painting. Louis' Swing , 2013, ink, glue, and collage on antique paper, 5x7.5 IN Untitled , 2012, ink and collage on antique paper, 5.5x8 IN The Olympians , 2013, acyrlic on canvas, 25 x 40 IN From the Artist's Statement: Drawing is a lot like a one night stand for a swinging single. They come. They go. Some hang around for weeks, others are almost forgotten as soon as they're made. Every once in awhile you have a chance encounter with them again, taken back by how nice a drawing was; or worse, what was I thinking then? Flipping through my box of completed drawings this summer, I came across Untitled (2012) and was stuck by the weight of one lone wave rising up from the sea, blindly rolling across the ocean, searching for land, or a sandbar, to complete it's journey with a cra...