Skip to main content

Kirk Stoller at Romer Young Gallery

Kirk Stoller, Untitled (spun), 2018, wood, metal, stain, enamel, 72 x 23 x 23.5 in

Kirk Stoller, Untitled (victory), 2018, wood, paper, stain, metal, 11.5 x 8.5 x 14.5 in



From the Press release: 
Romer Young Gallery is pleased to present its fourth solo exhibition with artist Kirk Stoller, the Color ran from his face. There will be an opening reception for the artist on Friday, April 27th, 6-9pm.
Using minimal color, Stoller distills the essence of the work down to its structure and its form. While traditionally the artist has used color as an emotional implicator to invite psychological, emotional and speculative engagements with the viewer, this time around he has chosen a muted, monochrome palette. By neutralizing the spectrum, Stoller minimizes the distractions and interpretations thus allowing for an experience with the larger gestalt. In these subtle and understated sculptures, line creates form and structure provides support; together they offer the basis for the visible shape of things. Decidedly non-representational, Stoller's work is "broad enough for all viewers to be able to create their own unique relationships with each piece. Following this strategy has helped him make pieces spare enough - like poetry, in a way - to talk softly and carry a big stick." (Maria Porges)
KIRK STOLLER lives and works in San Francisco and Brooklyn. He received his BA in French Language from Portland State and his MFA from UC Berkeley. Stoller's work has been exhibited at the Mary Ryan Gallery and Leslie Heller Gallery, New York, Storefront BushwickGallery and GRIDSPACE, Brooklyn, The Property, Los Angeles as well as Galerie Axel Obiger in Berlin. Stoller was an Edward Albee Foundation Fellow. He was also awarded the Marie Walsh Sharpe Art Foundation Studio Residency, NY, the MacDowell Art Colony Residency, NH, the Willapa Bay Artist Residency, WA and this fall, the Golden Foundation Residency. Stoller was a studio resident at the Headlands Center for the Arts.
Stoller would also like to thank Yaddo for its gift of time and studio space that helped in creating this show. For more information, please contact the gallery at 415.550.7483 or email info@romeryounggallery.com.


Kirk Stoller: The Color Ran From His Face

Through June 9, 2018

Romer Young Gallery
1240 22nd Street
San Francisco, CA 

*Images courtesy of Romer Young Gallery



Comments

Popular posts from this blog

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley   Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled  How to carry a cloud,  includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...

Current Show at Galerie Victor Sfez - On View Through April 23

EXHIBITION OF 19 MARCH TO 23 April 2016 DANIEL G. HILL develops a sensitive geometry. He chooses fragile materials that he weaves, knots, suspends, sometimes playing with the influence of gravity, which he uses to his advantage. A keen observer, he seizes the moment and the detail to create work of unusual and poetic balance. JOCELYNE SANTOS is a color magician. As much in her paintings as in her sculptures, contrasting tones are juxtaposed with harmony, giving birth to unexpected chromatic variations. We never complete our discovery of her palette. New nuances invite surprise, illusions dazzle our eyes, and that which is hidden in the work ends up being its main concern. SHAWN STIPLING works with perception. Space is always present, suggested by clever crossings and misleading offsets that generate new virtual planes. The simplicity of his line is only an appearance: executed by hand, it still takes on a deliberately mechanical look. Confiding to us, the ...

Brenda Goodman @ Life on Mars

  Installation view with Almost a Bride , 2015 (rt.)   Almost a Bride , 2015, oil on wood, 80 x 72 in. Almost a Bride , 2015 (detail) Brenda Goodman continues to plumb the depths of her own, as well as our collective unconscious in this staggering exhibition of major, new paintings.  Goodman, once again presents a very personal narrative brought to life through intimate and unexampled forms that are both guarded, and set afloat by a limited palette of muted and gemlike colors. Brenda Goodman: New Work is on view through April 19 when Life on Mars will present an Artist's Talk between Goodman and the poet and critic John Yau. The event will be moderated by Michael David and will take place between 2 - 4 PM. For more images follow the link below . . . .