Skip to main content

Painting is Not Doomed to Repeat Itself @ Hollis Taggart Galleries


      Merlin James (b. 1960)
     Red, 2013–14, Acrylic on fabric, 17 1/2 x 26 1/2 inches
     Images courtesy of Sikkema Jenkins & Co., New York




Joshua Marsh (b. 1973)
Thus Gone, 2015, Oil on panel, 22 x 20 inches
Courtesy of Jeff Bailey Gallery, Photo credit: Brilliant Studio




Brenda Goodman (b. 1943)
Brush, 2013, Oil on wood, 32 x 48 inches
Courtesy of Brenda Goodman and Life on Mars Gallery



Painting is Not Doomed to Repeat Itself
curated by John Yau
Hollis Taggart Galleries



Comments

Popular posts from this blog

Retrospective: Sylvester Stallone - Paintings 1975 - 2015

Sylvester Stallone, Untitled (Michael Jackson) , 2010 Real Love: Paintings 1975 - 2015 Opened on May 16th Musée d'Art Moderne et d'Art Contemporaine Place Yves Klein 06364 Nice cedex 4 For more information visit artnet news .

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley   Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled  How to carry a cloud,  includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...

Franz Kline: In Color

Franz Kline (1910-1962) is often pigeonholed as a "black and white" painter. Above is a selection of work by the Ab-Ex master in which color merges with gesture and at times takes center stage.