Skip to main content

Eve Aschheim @ Lori Bookstein Fine Art








From the Press Release:

Eve Aschheim’s latest body of work is marked by the artist’s expanding exploration of color, by her deepening engagement with non-Euclidean geometry and by her
further extension of Kazimir Malevich’s interest in the fourth dimension toward elusive and shifting perceptual states. Fractured and reconfigured pictorial spaces are
articulated by vibrant hues ranging from ice blues and acid greens to strident yellows and bright magentas. The artist’s use of color not only broadens her pictorial
vocabulary to further inform her compositions, but she also uses color to create specific sensations and atmosphere. Color is used in different ways in these new
paintings. In a single painting, this can include high key colors that interact with neutral color areas, flushes of transparent color that simultaneously appear to move
forward and backward through pictorial space, and color that is suggestive of light.

Indicative of the artist’s interest in states of transition, Aschheim’s work is often marked by a sense of implied motion. Pictorial structures seem to disassemble, come
together and reform. The result is a dynamic fictive reality that exists between multiple states of visual constructions, allowing the viewer the opportunity to see one
image, and then another without being able to settle on a final picture. In an interview with John Seed from 2013, Aschheim revels her interest “in that moment before
thought has fully coalesced, when the choices are like a glimmer of some possibility.” [1]

Eve Aschheim (b. 1958, New York) received her BA from the University of California, Berkeley and her MFA from the University of California, Davis. Aschheim is a
lecturer in the Lewis Center for the Arts at Princeton University, where she has taught full time since 2001. A recent John Simon Guggenheim Memorial Foundation
fellow, the artist has also received grants from the Joan Mitchell Foundation, the National Endowment for the Arts, the New York Foundation for the Arts, the Pollock-
Krasner Foundation, the American Academy of Arts and Letters, among others. Her work has been exhibited internationally, including solo shows at the Bannister
Gallery, Rhode Island College, the New York Studio School, Skidmore College, Saratoga Springs, NY, and the Weatherspoon Art Museum, Greensboro, NC.  















Eve Aschheim
Through April 19, 2014
Lori Bookstein Fine Art
138 10th Avenue
New York, NY 10011

Comments

Popular posts from this blog

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley   Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled  How to carry a cloud,  includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...

Current Show at Galerie Victor Sfez - On View Through April 23

EXHIBITION OF 19 MARCH TO 23 April 2016 DANIEL G. HILL develops a sensitive geometry. He chooses fragile materials that he weaves, knots, suspends, sometimes playing with the influence of gravity, which he uses to his advantage. A keen observer, he seizes the moment and the detail to create work of unusual and poetic balance. JOCELYNE SANTOS is a color magician. As much in her paintings as in her sculptures, contrasting tones are juxtaposed with harmony, giving birth to unexpected chromatic variations. We never complete our discovery of her palette. New nuances invite surprise, illusions dazzle our eyes, and that which is hidden in the work ends up being its main concern. SHAWN STIPLING works with perception. Space is always present, suggested by clever crossings and misleading offsets that generate new virtual planes. The simplicity of his line is only an appearance: executed by hand, it still takes on a deliberately mechanical look. Confiding to us, the ...

Recent and Ongoing Painting in Long Island City and Brooklyn

Debra Ramsay and Sharon Brant at Key Projects May 11 - May 26, 2019 Sharon Brant and Debra Ramsay Debra Ramsay Debra Ramsay with work at Key Projects, 2019 Vincent Como at Minus Space May 4 - June 22, 2019 Installation view with some of the opening night crowd. Vincent Como at the opening of his exhibition The Negative Approach Operating System (For Intermediate to Advanced Practitioners) Len Bellinger and Denise Sfraga at M. David & Co. April 26 - June 2, 2019 Denise Sfraga and Len Bellinger at their concurrent solo exhibitions at M. David & Co. Len Bellinger Len Bellinger Len Bellinger: installation view Len Bellinger (detail) Denise Sfraga Denise Sfraga: installation grouping. Denise Sfraga Denise Sfraga: installation view.