Skip to main content

Unsung: Peter Pinchbeck


Peter Pinchbeck 1931 - 2000


Twist of Fate, 1995, 64 x 72 in.


Untitled, 48 x 62 in.


Converse, 64 x72 in.


Yearning for the Infinite, 48 x 66 in.


Dusk, 60 x 72 in.


Untitled, 36 x 48 in.

"In the aftermath of his life, I find myself compelled to fight his battle for him: 
I am convinced that my father's art is late breaking news from the last century.
The work he left behind is probing and profound, abject and obstinate, 
luminous and eerie, eccentric yet true to its own inner logic. It revels in 
metaphysical doubt; it radiates the belief of its maker."

- From the article Need to Believe by Daniel Pinchbeck
Read the article here.

Comments

Mark Brown said…
Dusk is a favorite, the atmospherics in counterpoint to the imposing materiality of the surface. Gary Snyder recognized the value of Peter's vision. I hope they both get more recognition for this work.
Paul Behnke said…
Mark- I do too. Really think he's underrated.
Anonymous said…
Beautiful work!

Popular posts from this blog

Retrospective: Sylvester Stallone - Paintings 1975 - 2015

Sylvester Stallone, Untitled (Michael Jackson) , 2010 Real Love: Paintings 1975 - 2015 Opened on May 16th Musée d'Art Moderne et d'Art Contemporaine Place Yves Klein 06364 Nice cedex 4 For more information visit artnet news .

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley   Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled  How to carry a cloud,  includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...

Franz Kline: In Color

Franz Kline (1910-1962) is often pigeonholed as a "black and white" painter. Above is a selection of work by the Ab-Ex master in which color merges with gesture and at times takes center stage.