Skip to main content

Studio Visit With Melissa Dunn





On a recent trip to Memphis, TN, I was able to stop by the studio of the painter, Melissa Dunn.
Dunn's abstracted compositions have their origin in drawings and collages based on a wide range of source material. Yet once the paintings, proper, have begun, a reliable intuition comes to fore. At this point, Dunn alternates between that intuition and practiced, organized, formal decisions. The result is real painting that springs from seeds sown alongside Whitman's grass with all the intellect and romance that would imply.





Melissa Dunn in her studio, Memphis, TN, 2012.

























To view more of Melissa Dunn's work follow the link here.



*All paintings © Melissa Dunn.





Comments

She just keeps getting better and better!!!! I've visited this studio too, a great studio conducive to lots of looking and talking....
Paul Behnke said…
I've always loved Melissa's work but this was the first time I'd been to her studio. What an incredible space to work in!

Popular posts from this blog

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley   Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled  How to carry a cloud,  includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...

Current Show at Galerie Victor Sfez - On View Through April 23

EXHIBITION OF 19 MARCH TO 23 April 2016 DANIEL G. HILL develops a sensitive geometry. He chooses fragile materials that he weaves, knots, suspends, sometimes playing with the influence of gravity, which he uses to his advantage. A keen observer, he seizes the moment and the detail to create work of unusual and poetic balance. JOCELYNE SANTOS is a color magician. As much in her paintings as in her sculptures, contrasting tones are juxtaposed with harmony, giving birth to unexpected chromatic variations. We never complete our discovery of her palette. New nuances invite surprise, illusions dazzle our eyes, and that which is hidden in the work ends up being its main concern. SHAWN STIPLING works with perception. Space is always present, suggested by clever crossings and misleading offsets that generate new virtual planes. The simplicity of his line is only an appearance: executed by hand, it still takes on a deliberately mechanical look. Confiding to us, the ...

Brenda Goodman @ Life on Mars

  Installation view with Almost a Bride , 2015 (rt.)   Almost a Bride , 2015, oil on wood, 80 x 72 in. Almost a Bride , 2015 (detail) Brenda Goodman continues to plumb the depths of her own, as well as our collective unconscious in this staggering exhibition of major, new paintings.  Goodman, once again presents a very personal narrative brought to life through intimate and unexampled forms that are both guarded, and set afloat by a limited palette of muted and gemlike colors. Brenda Goodman: New Work is on view through April 19 when Life on Mars will present an Artist's Talk between Goodman and the poet and critic John Yau. The event will be moderated by Michael David and will take place between 2 - 4 PM. For more images follow the link below . . . .