Skip to main content

Woodcuts and Poetry: Origin of Oranges





Painter, James Erikson has put together a limited edition artist's book entitled "Origin of Oranges."
The elegant accordion style design contains collages and woodcuts, by Erikson, digitally scanned, reproduced and accompanied by poems by Daniel Hales, Amy Thatcher, Robin Stout and AJay McLaughlin.



James Erikson, Origin of Oranges #1, 2015, Woodcut


Who Waits Who Runs by Robin Stout

You say
I am too happy
to be a poet.

You, you ubiquitous
you.
Floating in and out,
in and out
of my poems
like clouds in a blue,
blue sky.

You say
my pain
is more frightened
lamb than wounded
lion.
That I am low
on ink.

And, besides
I don't dress
right.

That's what you know.

I am the guy on Atlantic
Avenue with apricot
hair. I am
the swollen
river, the fifteen-
dollar sandwich.

I am the woman
in head-to-toe
black on a coral
street.

I am the car
stuck
in traffic.

I am the dog
who waits
who runs
behind you
and sinks
yellow teeth
into the meatiest
part of your
thigh.

©2019 Robin Stout






A featured woodcut: James Erikson, Origin of Oranges #2, 2015, Woodcut, Gouache and Watercolor.


Pages featuring Who Waits Who Runs by Robin Stout



All images from the book Origin of Oranges ©2016 James Erikson

Comments

Popular posts from this blog

Retrospective: Sylvester Stallone - Paintings 1975 - 2015

Sylvester Stallone, Untitled (Michael Jackson) , 2010 Real Love: Paintings 1975 - 2015 Opened on May 16th Musée d'Art Moderne et d'Art Contemporaine Place Yves Klein 06364 Nice cedex 4 For more information visit artnet news .

Franz Kline: In Color

Franz Kline (1910-1962) is often pigeonholed as a "black and white" painter. Above is a selection of work by the Ab-Ex master in which color merges with gesture and at times takes center stage.

The Painter Eva Hesse

The hell with them all. Paint yourself out, through and through, it will come by you alone. You must come to terms with your own work not with any other being. -Eva Hesse detail The Brooklyn Museum is currently showing Eva Hesse Spectres 1960 and some of the images included in this post will be on view. The exhibit offers an often overlooked aspect of the great sculptor's artistic output and shows her to be an interesting, formidable and influential painter. Read the NY Times article here . The exhibition will continue through January 8.