Friday, September 5, 2014

Studio Visit with Brian Wood




 Brian Wood arranges work in his studio in Manhattan, 2014.




Recently I was invited to visit the Manhattan studio of Brian Wood

Wood's work gives phantasmagorical form to experience and memory.  Making use of brilliant color, and extremely varied paint application/surface quality, Wood's compositions coalesce into portals giving view to  surreal, sublime, and visceral insights.

Often a single work combines the dreamlike and the beatifically atmospheric with a sharp corporeal shock. The large works stagger the viewer and all present an exploration of an individual experience while giving the impression of a universal consciousness that permeates all.

Wood's work can be found in the collections of the Museum of Modern Art, the Metropolitan Museum of Art and the Brooklyn Museum in New York, the Corcoran Gallery of Art (D.C.), and the Los Angeles County Museum of Art, among others.

On September 11, Novella Gallery presents Spin Zero a group show including work by Brian Wood as well as Max Razdow and John Newman. The exhibit will run until October 5. for more information visit Novella's website.
 

 



 Detail from above.












 Detail from above.




Tuesday, August 19, 2014

Form and Facture @ Paul W. Zuccaire Gallery







I am very happy to have work included in this upcoming exhibition curated by Karen Levitov.

Form and Facture:
New Painting and Sculpture from New York

Rachel Beach   Paul Behnke   Matthew Neil Gehring   Osamu Kobayashi   Rebecca Murtaugh   
Fran O'Neill

curated by Karen Levitov
Opening: Saturday, November 1, 7 -9 PM
November 1 - December 13, 2014

Paul W. Zuccaire Gallery
Staller Center for the Arts
Stony Brook University
Stony Brook, NY 11794

Writing as a Hostile Act: Joan Didion

Portrait of Joan Didion ©1972 Julian Wasser




Also applies to painting . . . . 


INT:  You have said that writing is a hostile act; I have always wanted to ask you why.

JDIt's hostile in that you're trying to make somebody see something the way you see it, trying to impose your idea, your picture. It's hostile to try to wrench around someone else's mind that way. Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.

 

From "The Paris Review"/The Art of Fiction/Number 71/



London Calling @ Look & Listen

Andrew Seto, Rigor Mortis, 2014, oil and acrylic on canvas, 40x30 cm.




London Calling

works selected by Erin Lawlor

Andrew Bick   Katrina Blannin   Dragica Carlin   Clem Crosby   Vincent Hawkins   Erin Lawlor   Caterina Lewis   Katie Pratt   Andrew Seto

Opening: September 20, 6:00 PM
public talk w/ Erin Lawlor: 5:30 PM

La ville de Saint Chamas
13250 France




Thursday, August 14, 2014

Save the Date: Upcoming Painting Shows

 EC, Defeating Silence, 2014, household paint, acrylic, oil, and collage on canvas, 102x104 cm.


As Wide As A Door Is Open: Material Images
Dominic Beattie   Stephen Buckley   John Bunker   EC   Christopher McSherry
Opening: Friday, September 5th, 6 - 9 PM
September 5 - October 11, 2014
15 Clerkenwell Close
London EC1R 0AA





Deborah Zlotsky, Senetto, 2014, oil on canvas, 48x48 in.


Deborah Zlotsky: It happened, but not to you
Opening: Friday, September 12, 6 - 8 PM
September 11 - October 11, 2014
529 W 20th Street, 6W
New York, NY 10011





 Todd Bienvenu, Backseat, 2013, oil on canvas, 47x37.5 in.


Todd Bienvenu: Borrowing Tomorrow's Fun
Opening: Friday, September 5, 6 - 9 PM
September 5 - September 30, 2014
56 Bogart St.
Brooklyn, NY 11206





Georgina Pollard, 2014, Yesn' no, acrylic house paint, 88x88 cm.


Georgina Pollard: Through Line III
Opening: Wednesday, August 27, 6 -8 PM
August 27 - September 20, 2014
191 Wislon St., Newtown
Sydney, Australia




*Images courtesy of the artists/galleries.