Gary Hume @ Matthew Marks Gallery

From the artist's statement:

I painted them as history paintings, the killing of Osama Bin Laden. That moment, that one second, in American history. One is of Obama. Another is of Angela Merkel; another one of George Bush, but they don’t look like them at all; another one is of a ‘Z’ that looks like a bit of a barn door. One day I’m in the studio looking at them thinking, you’re absolutely kidding me. This just looks like a bunch of balloons going across a field. When I was painting them I was thinking of Rembrandt and Franz Hals, and the paintings have got nothing in them of Rembrandt or Hals. I’d finished with the painting of the horse. I’m looking at the seven paintings thinking I like them but they’re all rubbish, because I’ve set out to make this vast history painting suite and it just looks like anxiety, and a horse. Anxiety and the horse. That’s exactly what they are. That’s all right. Then the paintings could live.

Gary Hume: Anxiety and the Horse

Through June 23, 2012

Matthew Marks Gallery

523 W 24th Street

New York, NY 10001

Comments

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled How to carry a cloud, includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...

Current Show at Galerie Victor Sfez - On View Through April 23

EXHIBITION OF 19 MARCH TO 23 April 2016 DANIEL G. HILL develops a sensitive geometry. He chooses fragile materials that he weaves, knots, suspends, sometimes playing with the influence of gravity, which he uses to his advantage. A keen observer, he seizes the moment and the detail to create work of unusual and poetic balance. JOCELYNE SANTOS is a color magician. As much in her paintings as in her sculptures, contrasting tones are juxtaposed with harmony, giving birth to unexpected chromatic variations. We never complete our discovery of her palette. New nuances invite surprise, illusions dazzle our eyes, and that which is hidden in the work ends up being its main concern. SHAWN STIPLING works with perception. Space is always present, suggested by clever crossings and misleading offsets that generate new virtual planes. The simplicity of his line is only an appearance: executed by hand, it still takes on a deliberately mechanical look. Confiding to us, the ...

Recent and Ongoing Painting in Long Island City and Brooklyn

Debra Ramsay and Sharon Brant at Key Projects May 11 - May 26, 2019 Sharon Brant and Debra Ramsay Debra Ramsay Debra Ramsay with work at Key Projects, 2019 Vincent Como at Minus Space May 4 - June 22, 2019 Installation view with some of the opening night crowd. Vincent Como at the opening of his exhibition The Negative Approach Operating System (For Intermediate to Advanced Practitioners) Len Bellinger and Denise Sfraga at M. David & Co. April 26 - June 2, 2019 Denise Sfraga and Len Bellinger at their concurrent solo exhibitions at M. David & Co. Len Bellinger Len Bellinger Len Bellinger: installation view Len Bellinger (detail) Denise Sfraga Denise Sfraga: installation grouping. Denise Sfraga Denise Sfraga: installation view.

Structure and Imagery

Search This Blog