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Showing posts from May, 2011

Even More of a Poet Than a Painter

Detail fromThe Birth of Venus by Cabanel, 1863 "Yes, my friend," the old man replied as he wakened from his trance, "you must have faith, faith in art, and you must live a long time with your work to produce a creation like this. Some of these shadows cost me a lot of hard work. Look there--on that cheek, under the eyes --that faint shadow which you'd swear was untrans- latable if you saw it in nature.  Do you suppose an effect like that didn't cost me incredible difficulties to re- produce?  But also, my dear Porbus, consider my work closely, and you'll understand something more of what I was telling you about the way I handle the modeling and the outlines.  Look at the light on the breast and you'll see how, by a series of brushstrokes and by accents ap- plied with a full brush, I've managed to capture the truth of light and to combine it with the gleaming whiteness of the highlights, and how, by an opposite effort, by smooth- ing ...

LES

Lorna Simpson @ Salon 94 Inaugural Exhibition @ Mulherin + Pollard Raffaella Chiara @ Frosch & Portmann Daniel Peddle @ NP Contemporary Art Center William Stone @ James Fuentes LLC Jesse Willenbring @ Laurel Gitlen Grace Knowlton (Gallery 1) Four Sculptors 1968-1980 (Gallery 2) @ Lesley Heller Workspace Hillary Harnischfeger @ Rachel Uffner Gallery David Adamo @ Untitled Diana Shpungin @ Stephan Stoyanov Gallery Indeterminate Activity @ Nicelle Beauchene Gallery Matthew Craven @ Allegra LaViola Gallery

Three @ Theodore:Art

Three  – Damien Flood, Joy Garnett, Andrew Seto 14 May – 19 June 2011 Theodore:Art 53 Mercer St. NYC 10013 212. 966. 4324 Gallery hours Friday – Sunday 12 – 6 pm or by appointment Stephanie Theodore of Theodore:Art presents a studied exhibition of contemporary abstractions that blur  the lines between figuration and non-objectivity. From the gallery's press release:  " Damien Flood 's work is situated between fact and fiction. The paintings are modern landscapes that reference the history of painting with an underlying fantastical element. A fleeting familiarity can be found in the work that is soon replaced by an ambiguous questioning. Joy Garnett utilises painting to investigate the modern experience of global events as mediated and choreographed by images from news media and social networks. Walter Benjamin’s prediction that alienated man would be dazzled by the spectacle of destruction seems prescient in light of Garnett’s lushly painted scenes of di...

Heidi Pollard: Recent Works

Heidi Pollard, 2011, (l to r)  I mperial Numerals,   Blade,  oil on canvas, and Bitter Lake Homage, collaged wood/masonite scraps, oil paint. Image courtesy of the artist. Heidi Pollard : Recent Works   May 21 - July 4, 2011 TransVagrant @ Warschaw Gallery 600 S. Pacific Avenue San Pedro, CA 90731

Unsung: Peter Pinchbeck

Peter Pinchbeck 1931 - 2000 Twist of Fate, 1995, 64 x 72 in. Untitled, 48 x 62 in. Converse, 64 x72 in. Yearning for the Infinite, 48 x 66 in. Dusk, 60 x 72 in. Untitled, 36 x 48 in. "In the aftermath of his life, I find myself compelled to fight his battle for him:  I am convinced that my father's art is late breaking news from the last century. The work he left behind is probing and profound, abject and obstinate,  luminous and eerie, eccentric yet true to its own inner logic. It revels in  metaphysical doubt; it radiates the belief of its maker." - From the article Need to Believe by Daniel Pinchbeck Read the article here .