Skip to main content

Studio Visit: Nicholas Hamilton

Street view of Hamilton's studio in Greenpoint.

Recently I was invited to the Brooklyn studio of Nicholas Hamilton.
Hamilton was born in Omagh, Northern Ireland in 1979 and his upbringing and cultural background continue to inform much of his present work. Far from being dry and pedantic Hamilton explores the politics, social strife and rich history of his country from an intimate perspective, while never forgetting that he operates in a visual medium. In Hamilton's work the narrative power of abstraction is summoned when cold, hard facts strike against the imaginative vision of an artist who is coming to terms with a very personal history.

Below are images of Hamilton's work and studio accompanied by the artist's own words.


Chuckies, Croppies, Fenians, Left Footers, Mickeys, Papists, Popeheads, Shinners, Stickies, Taigs, Tims
India ink on paper, 32 x 48 inches.

"These drawings were created by spelling out the sectarian terms of abuse in the titles using stencils. Once the contours of one letter were traced in pencil I then moved the next letter in the word ever so slightly in a circular pattern to the point that the phrases became abstracted. I then used India ink and a fine brush to draw over the pencil lines. Some of the slurs are historical and not all of them are still in use."


India ink drawings with The First Breath (9th March, 1954) in the foreground.


The First Breath (9th March, 1954), detail. Silver and gold thread, black fabric, 3 x 5 feet.


"The title of this piece refers to the birth date of the hunger striker Bobby Sands, one of the most iconic figures from the period of sectarian violence in Northern Ireland known as The Troubles. He died thirty years ago as a result of starvation on 5th May 1981.
During the hunger strikes of the early 1980’s black flags were placed outside homes that were in solidarity with the hunger striker’s cause. In addition to using this symbol I commissioned an astrological natal chart for Bobby Sands, which I then stitched onto the black fabric that makes up one side of the flag. It depicts the alignment of the planets within the twelve houses. The other side shows the stars and position of the planets on the day he was born. 
Crucially, I should mention that as I was growing up his image became a source of nightmares for me. I come from a Protestant background and far from being a heroic martyr I saw him as the bogeyman. For me, he was the archetypal ‘other’ and in the process of embroidering the flag I wanted to explore my own projections and demonization of this figure."



Hamilton in his studio. To his left:
Billys, Blackmen, Huns, Ironrods, Steelrods, Jaffas, Orangies, Prods, Proddies, Proddy Dogs





Above: Four studio views.


Hamilton in his studio with The First Breath (9th March, 1954)


Text in italics are the words of the artist.







Comments

Fantastic new work, Nicholas! I love the embroidery on the black flag. And really nicely written, Paul. Describes Nicholas to a T. Reminds me of good ol' VSC.
Paul Behnke said…
Thanks Ariele!
Nicholas' words about his own work add so much to this post too.
I had a great time seeing the work in person!
New York said…
After reading the interview it reminded me of how freaken talented Nick is. I loved the works on paper and the FLAG incredible on so many levels. Great job Paul!!!

Popular posts from this blog

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley   Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled  How to carry a cloud,  includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...

Current Show at Galerie Victor Sfez - On View Through April 23

EXHIBITION OF 19 MARCH TO 23 April 2016 DANIEL G. HILL develops a sensitive geometry. He chooses fragile materials that he weaves, knots, suspends, sometimes playing with the influence of gravity, which he uses to his advantage. A keen observer, he seizes the moment and the detail to create work of unusual and poetic balance. JOCELYNE SANTOS is a color magician. As much in her paintings as in her sculptures, contrasting tones are juxtaposed with harmony, giving birth to unexpected chromatic variations. We never complete our discovery of her palette. New nuances invite surprise, illusions dazzle our eyes, and that which is hidden in the work ends up being its main concern. SHAWN STIPLING works with perception. Space is always present, suggested by clever crossings and misleading offsets that generate new virtual planes. The simplicity of his line is only an appearance: executed by hand, it still takes on a deliberately mechanical look. Confiding to us, the ...

Recent and Ongoing Painting in Long Island City and Brooklyn

Debra Ramsay and Sharon Brant at Key Projects May 11 - May 26, 2019 Sharon Brant and Debra Ramsay Debra Ramsay Debra Ramsay with work at Key Projects, 2019 Vincent Como at Minus Space May 4 - June 22, 2019 Installation view with some of the opening night crowd. Vincent Como at the opening of his exhibition The Negative Approach Operating System (For Intermediate to Advanced Practitioners) Len Bellinger and Denise Sfraga at M. David & Co. April 26 - June 2, 2019 Denise Sfraga and Len Bellinger at their concurrent solo exhibitions at M. David & Co. Len Bellinger Len Bellinger Len Bellinger: installation view Len Bellinger (detail) Denise Sfraga Denise Sfraga: installation grouping. Denise Sfraga Denise Sfraga: installation view.