Francoise Gilot Interview on CBS Sunday Morning, 2017
Abstraction of a Nude, 1945
Idol, Child and Tulips, 1991
Gilot with Picasso and Claude, 1952 by Boris Lipnitzki
"It was a catastrophe I didn't want to avoid"
Gilot on her relationship with Pablo Picasso
Francoise Gilot
Self Portrait (Figure in the Wind) 1944
"In the work of all the generations of painters who were like Picasso, the figure is so huge, it’s all over the painting,” Françoise Gilot explains. “Whereas me, I have turned it the other way around. The figure is lost in a universe that is very much bigger."
Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled How to carry a cloud, includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...
EXHIBITION OF 19 MARCH TO 23 April 2016 DANIEL G. HILL develops a sensitive geometry. He chooses fragile materials that he weaves, knots, suspends, sometimes playing with the influence of gravity, which he uses to his advantage. A keen observer, he seizes the moment and the detail to create work of unusual and poetic balance. JOCELYNE SANTOS is a color magician. As much in her paintings as in her sculptures, contrasting tones are juxtaposed with harmony, giving birth to unexpected chromatic variations. We never complete our discovery of her palette. New nuances invite surprise, illusions dazzle our eyes, and that which is hidden in the work ends up being its main concern. SHAWN STIPLING works with perception. Space is always present, suggested by clever crossings and misleading offsets that generate new virtual planes. The simplicity of his line is only an appearance: executed by hand, it still takes on a deliberately mechanical look. Confiding to us, the ...
Installation view with Almost a Bride , 2015 (rt.) Almost a Bride , 2015, oil on wood, 80 x 72 in. Almost a Bride , 2015 (detail) Brenda Goodman continues to plumb the depths of her own, as well as our collective unconscious in this staggering exhibition of major, new paintings. Goodman, once again presents a very personal narrative brought to life through intimate and unexampled forms that are both guarded, and set afloat by a limited palette of muted and gemlike colors. Brenda Goodman: New Work is on view through April 19 when Life on Mars will present an Artist's Talk between Goodman and the poet and critic John Yau. The event will be moderated by Michael David and will take place between 2 - 4 PM. For more images follow the link below . . . .
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