Skip to main content

Infinity: One @ dalla Rosa Gallery


Terry Greene, Foragora, 2013-14, acrylic on canvas, 39x29 cm.


Karl Bielik, Playtime, oil on linen, 180x200 cm.


Gwennan Thomas, Untitled, 2012, oil on board, 40x30 cm.


David Webb, Vermonter, 2012, acrylic and pumice on canvas, 51x77 cm.





Infinity: One
Karl Bielik, Terry Greene, Gwennan Thomas, and David Webb
Opening Reception: Thursday, June 12, 6:30 - 8:30 PM
June 13 - July 19, 2014
121 Clerkenwell Road
EC1R 5BY
London, United Kingdom

Comments

Scott Bennett said…
I like the Terry Greene the best. From what I can tell from here. I like what Gwennan Thomas is doing with the translucent green glaze, but think she could push the color much more. And the use of acrylic glazes would enable much more.
Scott Bennett said…
Looked again and realized that it appears that the "green glaze" is not paint but a piece of translucent plastic of some sort, or perhaps plexi.
vc said…
love love that Bielik

Popular posts from this blog

Retrospective: Sylvester Stallone - Paintings 1975 - 2015

Sylvester Stallone, Untitled (Michael Jackson) , 2010 Real Love: Paintings 1975 - 2015 Opened on May 16th Musée d'Art Moderne et d'Art Contemporaine Place Yves Klein 06364 Nice cedex 4 For more information visit artnet news .

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley   Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled  How to carry a cloud,  includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...

Franz Kline: In Color

Franz Kline (1910-1962) is often pigeonholed as a "black and white" painter. Above is a selection of work by the Ab-Ex master in which color merges with gesture and at times takes center stage.