Skip to main content

Edward Avedisian: The Soho Years @ Berry Campbell





From the Press Release:

Edward Avedisian was born in Lowell, Massachusetts in 1936 and attended the School of the Museum of Fine Arts, Boston.  After moving to New York City in the early 1960s, he joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons.

Avedisian was among the leading figures to emerge in the New York art world during the 1960s.  An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience, breaking from the tactility of Abstract Expressionism. 

His works were included in landmark exhibitions such as Op Art: The Responsive Eye, at the Museum of Modern Art, the Whitney Museum’s Young America 1965 and the Expo 67, held in Montreal.  In 1971, Avedisian was included along with Bannard, Dan Christensen, Ron Davis, Poons, and Peter Young in the exhibition Six Painters, organized by the Albright-Knox Art Gallery in collaboration with the Baltimore Museum of Art and the Milwaukee Art Center. 




(detail from above)


Edward Avedisian, 1971
photo credit: Eeva







Edward Avedisian: (1936 - 2007) The Soho Years
On view through January 4, 2014
Berry Campbell
530 West 24th Street
New York, NY 10011

Comments

Popular posts from this blog

Retrospective: Sylvester Stallone - Paintings 1975 - 2015

Sylvester Stallone, Untitled (Michael Jackson) , 2010 Real Love: Paintings 1975 - 2015 Opened on May 16th Musée d'Art Moderne et d'Art Contemporaine Place Yves Klein 06364 Nice cedex 4 For more information visit artnet news .

Franz Kline: In Color

Franz Kline (1910-1962) is often pigeonholed as a "black and white" painter. Above is a selection of work by the Ab-Ex master in which color merges with gesture and at times takes center stage.

After Lorca By Ted Hughes

Arshile Gorky, Dark Green Painting , ca.1948, oil on canvas, 43 3/4 x 55 1/2 in. © 2009 Estate of Arshile Gorky/Artists Rights Society (ARS), New York. AFTER LORCA by Ted Hughes The clock says "When will it be morning?"   The sun says "Noon hurt me."  The river cries with its mouthful of mud  And the sea moves every way without moving. Out of my ear grew a reed   Never touched by mouth.  Paper yellows, even without flame,  But in words carbon has already become diamond. A supple river of mirrors I run on   Where great shadows rise to the glance,  Flowing all forward and bringing  The world through my reflection. A voice like a ghost that is not   Rustle that dead in passage  Leaving the living chilled,  Wipe clear the pure glass of stone. Wipe clear the pure stone of flesh. A son...