Skip to main content

Blots, Stains and Smears @ Transition Gallery

Iain Nicholls, Dropping, 2011, oil and acrylic on board, 37 x 32 cm.

While in London in December I was lucky enough to catch the abstract(ed) painting exhibit, Blots, Stains and Smears @ Transition Gallery in Hackney. The exhibition included work by Iain Nicholls, Mark Joyce and William Gharraie and was curated by Philip Allen.

Iain Nicholls, Falling Down, 2011, oil on board, 39 x 46 cm.

Iain Nicholls,Falls, 2011, oil and acrylic on board,  55 x 45 cm.

Iain Nicholls, Reverse Shiaparelli, 2011, oil and acrylic on board, 37 x 39 cm.

William Gharraie, Baby Night Light, oil on board, 52 x 44 cm. 

William Gharraie, Amnesia, oil on board, 51 x 62 cm.


William Gharraie, Untitled, oil on board, 124 x 92 cm.

Mark Joyce, The Hunt for the Z Particle, 2011, acrylic on glue gesso, 25 x 20 cm.

Mark Joyce, Arcturus 2, 2011, acrylic on glue gesso, 25 x 20 cm.

Mark Joyce, Bending Light II, 2011, acrylic on glue gesso, 25 x 20 cm.

Mark Joyce, Arcturus 1, 2011, acrylic on glue gesso, 25 x 20 cm.

Mark Joyce, Bending Light I, 2011, acrylic on glue gesso, 25 x 20 cm.

Mark Joyce, The Hunt for the Z Particle III, 2011, acrylic on glue gesso, 25 x 20 cm.

Mark Joyce, The Hunt for the Z Particle I, 2011, acrylic on glue gesso, 25 x 20 cm.

Mark Joyce

This image and below: Installation views, Blots, Stains and Smears.






From the press release:

Blots, Stains and Smears, organised by Phillip Allen, is the third in an on-going series of exhibitions that focus on particular aspects of contemporary painting.
Reflecting Allen's taste for highly articulate painting, the selected artists, Mark Joyce, Iain Nicholls and William Gharraie all employ, in varying degrees, the transformative potential of paint. These painter's painters remain vigilant in their individual investigations revealing fresh and often witty approaches that, brought together, examine the heavy syntax of abstraction.



Blots, Stains and Smears
Mark Joyce, Iain Nicholls and William Gharraie
December 3 - 23, 2011

Curated by Phillip Allen

Transition Gallery
Unit 25a Regent Studios
8 Andrews Road
London E8 4QN







Labels:

Comments

lucy Mink said…
wow wow love some of these, catching up on your blog here Paul, great paint all around!
January 25, 2012 at 6:43 PM
Post a Comment

Popular posts from this blog

Retrospective: Sylvester Stallone - Paintings 1975 - 2015

Sylvester Stallone, Untitled (Michael Jackson) , 2010 Real Love: Paintings 1975 - 2015 Opened on May 16th Musée d'Art Moderne et d'Art Contemporaine Place Yves Klein 06364 Nice cedex 4 For more information visit artnet news .
Post a Comment
Read more

Justine Rivas at The Valley

Installation view: Justine Rivas, How to Carry a Cloud. Photo courtesy of The Valley   Justine Rivas: How to Carry a Cloud Up through August 7, 2021 The Valley 1800 Camino del La Placita, Unit D Taos, NM 87571 From the Press Release: The Valley is pleased to present its first solo exhibition with Los Angeles-based painter Justine Rivas . The exhibition, titled  How to carry a cloud,  includes a series of new paintings that explore hidden sources of water in the desert landscape. Rivas uses clouds and creosote bushes as metaphors for the interconnected sources of life-giving moisture in arid regions. Both reflect water stored in the land and the air, deceptively close and yet inaccessible. Cloud forms appear across several works, oscillating between pattern and landscape. As above, so below- creosote in its various forms appear as a familiar and familial plant speaking to the artists’ connection to the desert landscape, her family has lived in the borderlands since t...
Post a Comment
Read more

Franz Kline: In Color

Franz Kline (1910-1962) is often pigeonholed as a "black and white" painter. Above is a selection of work by the Ab-Ex master in which color merges with gesture and at times takes center stage.
7 comments
Read more