the inexplicable, the urgent,
the disrupting, the embarrassing,
the awful, the complex, and the
fearsome barge into my life,
whether I like it or not. I respond
with paintings that are partly cartoon,
partly lament, partly grudge, that I
hope are unpredictable, beautiful,
but sort of shaggy. Doubt can be an
advantage. I have no advance visual
strategy. I don't make drawings before
I begin and I make a lot of changes
intuitively as I go along.
I have an eye for the beauty of
ugliness, awkwardness, isolation.
Like a fatso, my paintings are
built for comfort, not for speed."
-Amy Sillman
3 comments:
Have always been a big fan. I think I have only seen 5 to 10 of her paintings in person but was really impressed with the surface and tension. I went back watched the James Kalm video of her show from a year ago. What aspects of her work do you like?
Great post!
Thanks Sheri!
@Brian- I like Sillman's work because she is a Painter!
She uses paint on canvas. The work isn't slick and puts a contemporary spin on straight abstraction. When the figurative elements are added the work approaches the same black comedy feel that Guston just nails. And of course formally I love her color combinations. She combines a lot of opposites which is important to me---fast/ slow, thick/ thin, figure/ abstraction etc.
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